Due to illness, Myrtò Papatanasiu will not be able to perform during the Bastarda performances of 21 and 23 March. The role of Elisabetta will be performed by Francesca Sassu.
Close“After having relentlessly massacred so many heroes and heroines, I have at last the right to laugh a little," Verdi commented on his comical swan song Falstaff. Chief-conductor Alain Altinoglu explains how the gags are not limited to what is seen on stage. Director Laurent Pelly, meanwhile, mixes bitter and sweet into a well-balanced Verdian cocktail. As if he himself were a bartender in the Osteria della Giarrettiera.
In January, director Laurent Pelly returns to la Monnaie for a new production of Tchaikovsky's Yevgeny Onegin. It marks his fifth visit to our house, after Don Quichotte (2010), Cendrillon (2011), The Golden Cockerel (2016) and Don Pasquale (2018), who all met with critical and public acclaim. In this small documentary, we sit down with Laurent Pelly to look back on these beloved La Monnaie productions and to discuss the artistic credo that underpins them.
From the large mirror hanging in the stairwell to the smallest make-up mirror backstage, there are many places at La Monnaie where artists can indulge in self-reflection. Today, soprano Emma Posman – currently performing Talus in Solar – is doing just that.
"Time has run out, we were the ones to know." With these strong words ends Solar, an 'environmental opera' about the consequences of human hubris and the reckless disregard for our natural ressources. In this video, composer Howard Moody and director Benoît De Leersnyder tell you all about the libretto, the music and the inspiration of Bruegel's painting The Fall of Icarus, but above all about the power that emanates from the young generation, represented by the La Monnaie Children's and Youth Choir.
In Bastarda there is room for only one queen: the mythical Elizabeth I of England. Inspired by a childlike sense of wonder, director Olivier Fredj reshapes La Monnaie into the court of ‘The Virgin Queen’. In this interview, he reflects on his particular form of storytelling.
