Due to illness, Myrtò Papatanasiu will not be able to perform during the Bastarda performances of 21 and 23 March. The role of Elisabetta will be performed by Francesca Sassu.
Close"It's about nothing, and yet it's about everything. It's about life and death, it's about love and social hierarchy..." In the run-up to Yevgeny Onegin, their fourth collaboration at La Monnaie, we sat down with Alain Altinoglu and Laurent Pelly — a conductor with a unique theatrical feeling, a director who knows how to "stage" music.
With his debut in the role of the charming and reluctant anti-hero Yevgeny Onegin, the French baritone sets himself new challenges.
A love story that is not actually a love story, spleen and ennui, grand balls, passionate impulses, a duel in the mist and intoxicating melodies... All the ingredients of a real Tchaikovsky masterpiece. Read the synopsis of Yevgeny Onegin here, along with the opera's musical highlights provided and discussed by conductor Alain Altinoglu.
In addition to composing some of the most popular works in the whole history of music, Tchaikovsky was an assiduous correspondent. His letters on Yevgeny Onegin reveal a perfectionist artist who was searching for lyrical innovation and marked by his own tumultuous emotional life...
In January, director Laurent Pelly returns to la Monnaie for a new production of Tchaikovsky's Yevgeny Onegin. It marks his fifth visit to our house, after Don Quichotte (2010), Cendrillon (2011), The Golden Cockerel (2016) and Don Pasquale (2018), who all met with critical and public acclaim. In this small documentary, we sit down with Laurent Pelly to look back on these beloved La Monnaie productions and to discuss the artistic credo that underpins them.
