One week to go, and with the arrival of the orchestra, the team behind Lulu shifts into top gear. What does the full orchestra pit change for our leading soprano? And how does she prepare for the final sprint after a marathon of five intense weeks of rehearsals?
Bringing a production back to life in an opera house, nine years after its first performance, is only possible through a whole series of small steps, all lined up like dominoes. Stretching from the last closing night to the upcoming opening night, they involve every single part of the show, and therefore every department that worked on the original production.
Living the life of a monk, dealing with bruises and a daily trial of strength with an intimidating score: it takes a lot to climb the Everest of soprano roles. In this video portrait, we follow Barbara Hannigan during the first weeks of her preparations for Lulu. "I don't want to think about opening night, much less about closing night."
One of the leading lights in the European theatre, Krzysztof Warlikowski is celebrated for his psychological precision, the non-conformism of his dramaturgical readings and his contemporary visual language. In this video portrait, he walks us through his previous La Monnaie productions.
Belgian composer Philippe Boesmans (born in Tongeren, May 17, 1936), died in Brussels on Sunday evening after a short illness. We are deeply saddened by the passing of this artist who was so dear to our house and we offer our sincere condolences to his family and friends.