LA MONNAIE / DE MUNT
A few months before her suicide in 1963, the American writer Sylvia Plath offered a haunting take on the myth of Medusa in one of her most mysterious and much-debated poems, titled Medusa. An evocation of her toxic relationship with her own mother? A critique of idealised motherhood? The poem is as complex and deeply moving as the mythological figure it explores.
During a literary evening organised in collaboration with Passa Porta, authors Hélène Frappat, Astrid Haerens and Ayşegül Savaş will engage with Sylvia Plath’s work to write their own interpretation of the myth of Medusa, also reimagined by Lydia Steier in her libretto for the upcoming opera creation. The reading of these unpublished texts will be followed by a panel discussion and by a musical performance developed by Young Opera members and the Collectif Meute, offering a fascinating exploration of feminine power, the strength of a gaze and the intimate relationship with the monstrous.
A philosophy graduate with a passion for cinema, French writer Hélène Frappat (1969) is a novelist, film critic and translator. She has chosen to seek ‘truth’ in fiction. As a novelist, she is the published author of Inverno, Lady Hunt, N’oublie pas de respirer, Le Dernier fleuve, Le mont Fuji n’existe pas, Trois femmes disparaissent and Nerona. Having devoted some of her work to filmmakers such as Jacques Rivette, Roberto Rossellini and the actor Toni Servillo, she published Le Gaslighting, ou l’art de faire taire les femmes in 2023.
Astrid Haerens (1989) grew up in Zwevegem and lives in Brussels. She holds a Master’s degree in Linguistics from the Conservatory of Antwerp. She is the author of the novel Stadspanters, the collection of poetry Oerhert, which won the 2023 First Poetry Collection Prize and was nominated for the 2023 Herman de Coninck Prize and the 2023 C. Buddingh’ Prize. Her second novel, Erosie, is due to be published in April 2026. As yet unpublished in French, her work has also appeared in various international literary magazines and on online platforms.
Ayşegül Savaş (1986) grew up in Turkey and Denmark. Her writing has appeared in several prestigious publications including The New Yorker, The Paris Review and The Guardian. She graduated from the Academy of Fine Arts in San Francisco. Based in Paris, she is the author of Transparence de la lumière and Anthropologie, which has just been translated into French and featured on Barack Obama’s list of his favourite books upon its release in the United States. The French version also attracted considerable attention during the January literary season.
6.5.2026
20:00
Fiocco Room (La Monnaie Workshops)
2 hours
€12
-30: €8
In French, English and Dutch (with French surtitles)
In collaboration with Passa Porta
20:00