For the first time in human history, we are contemplating the end of our species. How does that affect our experience of a requiem, of beauty? In this video, director Romeo Castellucci and conductor Raphaël Pichon reflect on the questions raised by Mozart's last, unfinished score.
These days he is a two-time winner of Opernwelt’s award for ‘Opera Director of the Year’, but for the longest time, it didn’t look like Romeo Castellucci would tackle the art form at all. Until 2011, when La Monnaie invited him to work on Richard Wagner’s Parsifal. What followed is operatic history. In this video portrait, the director reveals his artistic credo and returns to his previous stagings at La Monnaie.
La Monnaie would like to dedicate this series of performances of the Requiem to Ukrainian citizens and children, victims of a ruthless aggressor intent on reducing a nation, a people, a tradition, a culture, a language and so much more to ‘nothingness’.
An overwhelming mass spectacle that keeps you glued to your seat for five hours with its historical tableaux, ballets, choral scenes, musical inventiveness, and intense drama and romance: Les Huguenots is, without a doubt, one of the greatest blockbusters in the entire history of opera. In 2011, La Monnaie helped its revival with a successful production that you can now rediscover.
In Mystery Sonatas / for Rosa, Anne Teresa De Keersmaeker plunges into the mysterious Rosary Sonatas by Heinrich Ignaz Franz Biber. A brave choice — as the cycle is rarely, if ever, performed in full.