The authoritative German magazine Opernwelt has released its Jahrbuch 2020. After questioning 50 independent and internationally renowned critics, it takes stock of the past opera season. After awards in 2004, 2010, and 2015, Marlis Petersen, currently performing at La Monnaie in Die tote Stadt, has been proclaimed ‘Sängerin des Jahres’ for the fourth time. Nobody can imitate the German soprano.
Marlis Petersen received her nomination for her “method acting-inspired interpretation of Korngold’s Marietta (and Marie) at the Bavarian State Opera Munich, in addition to that of Salome (Strauss) at the Theater an der Wien. In both cases, the soprano has created role portraits that fascinate by their layering and their existential weight; in short, by an authenticity that almost makes the viewer forget that they are fictional characters.”
Marlis Petersen has been our guest several times since her La Monnaie debut in 2006 as Konstanze in Die Entführung aus dem Serail (Mozart). She performed Aphrodite in Henze’s Phaedra (2007), made her debut there as Marguerite de Valois in Meyerbeer’s Les Huguenots (2011), and sang Leonore in a concert version of Beethoven’s only opera in 2017.
From 3 June to 22 September, La Monnaie and Muntpunt are transforming Rue Royale—the small street between their buildings—into a vibrant summer spot. A long table will serve as a welcoming meeting place where locals and passers-by can read, have lunch, play board games, or simply soak up the sun.
To mark Pride Week, La Monnaie decorates its façade in rainbow colours, to show its unwavering support for the LGBTQIA+ community.
A real feast for the eyes and ears in 2023, La Monnaie’s production of Tchaikovsky’s most intimate and celebrated opera, directed by Laurent Pelly and conducted by Alain Altinoglu, is now available on DVD, Blu-ray and streaming via Naxos.
