"When Philippe Boesmans suddenly fell ill, he asked me to finish composing his opera. When I went to see him in the hospital to talk to him about it, I would never have imagined that just hours later, he would be gone."

As a singer, she could very well sing the title role in The Queen of Spades herself, but in recent years she has added the conductor's card to her game. We asked Nathalie Stutzmann during the piano rehearsals for our new production about the incredible richness of Tchaikovsky's score.

In En Atendant, Anne Teresa De Keersmaeker worked for the first time in her career with early music. The Ars Subtilior, a delicate polyphony developed on the ruins of the plague and the Church, offered her the starting point for a performance that puts the question of our physicality, of our mortality, back at the centre. In this interview, read all about the principles behind this thrilling choreography.

Concerts for the greats of the earth and a decades-long career at the upper echelons of the opera world. Are we talking about Anne Sofie von Otter here or the Countess in The Queen of Spades? It seems as if Tchaikovsky had the Swedish grande dame in mind when he composed his opera, and yet she is only now debuting the role – at La Monnaie.

No luck in love without luck in play. This is the idée fixe that Hermann is pursuing in Pikovaya Dama. He overplays his hand and eventually loses both the game and love, but by then we are already three hours into glowingly intense music...

Yvan Beuvard has been familiar with operatic and Lied repertoire for more than fifty years. Last July, he found himself lucky enough to attend the latest lied recital of Stéphane Degout and Marielou Jacquard, a performance of Brahms lied cycle Romanzen aus Ludwig Tiecks Magelone. Sit down with him, and follow the performance through his eyes and ears.

Read along in the composer's correspondence and find out how The Queen of Spades came into being, an opera that was actually not intended for him...

Biting Russian satire and glowing romance. Surprising new productions and long-awaited projects that can finally be premiered. The continuation of the symphonic jubilee concerts, but also of our Troika Dance programme. Behold the imaginative and polychrome 2022-23 season of La Monnaie, presented by its General and Artistic Director Peter de Caluwe.

A sense of style, an eye for detail and, above all, many hours of monk's work: that is what it took our Workshops to produce the opulent costumes, hats and accessories of Les Huguenots. Catch a glimpse of these magnificent creations.

An overwhelming mass spectacle that keeps you glued to your seat for five hours with its historical tableaux, ballets, choral scenes, musical inventiveness, and intense drama and romance: Les Huguenots is, without a doubt, one of the greatest blockbusters in the entire history of opera. In 2011, La Monnaie helped its revival with a successful production that you can now rediscover. 

Whoever said 'Rome wasn't built in a day' must have worked in the opera industry. Constructing the set for Les Huguenots is nothing less than a titanic work. Let our Head of Stage Marcel Maus treat you to a look behind the scenes, where his team not only puts up the set, but also makes it move in perfect unison with the music.

Fashion and costume designer Jan-Jan Van Essche’s work vibrates between poetry and simplicity. In this video portrait, he talks about what inspired him for Vlaemsch (chez moi).