To mark La Monnaie’s new production of Die Zauberflöte, several of the most important institutions in Brussels will present original work by and a number of events with the Italian artist.
Our production of Bluebeard’s Castle & The Miraculous Mandarin will be broadcasted on radio Klara and on radio Musiq’3 on Saturday 23 June at 8pm.
Concertmaster Saténik Khourdoïan will present her first solo CD during the Concertino on 8 June
La Monnaie's general director, Peter de Caluwe, introduces you to the 2018–19 season.
The iconic Rosas performance Achterland, created in 1990, is to be performed again at La Monnaie. The flemish broadcasting channel Canvas attended a rehearsal for its TV show Culture Club and got an exclusive masterclass by Anne Teresa De Keersmaeker in the process.
On the brand new website of La Monnaie’s community project Orfeo & Majnun, in collaboration with many European cultural institutions and festivals, you can find an overview and details of the different events and how to participate.
The MM Academy project was set up in 2015 by La Monnaie to give students from the eight Belgian conservatories the chance of a professional internship in our opera house chorus. This new generation of singers is performing in BOZAR on 17 December.
“Dialogues des Carmélites is the French lyrical masterpiece of the second half of the 20th century.”
Francis Poulenc’s magnum opus is based on a film screenplay. So we made this cinema-style trailer to present the story of the opera.
La Monnaie Children and Youth Choir is celebrating its 20th anniversary. On Wednesday the 15th November, the choir will perform a unique concert in the federal parliament. On this occassion, the RTBF made this lovely documentary.
Henceforth Raphaële Green may call herself an MM Laureate. General director Peter de Caluwe handed her the diploma after the Concertino of Friday 10th November 2017.
Our music director Alain Altinoglu is conducting the London Philharmonic Orchestra at the Queen Elisabeth Hall (Antwerp) on Thursday the 9th of November.
